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| Irene- the sinkable show installationview Istituto Svizzero Venice, IT 2010 |
Colonna dell'infamia
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Colonna dell'infamia |
Inform 2010 Lambda print on aluminium, framed 100 x 71c, |
Auf/ Zu 2010 metal, C-prints on aluminium, framed dimensions variable installation view Kunsthaus Glarus |
Auf/ Zu 2010 detail after two photographs of Kunsthaus Glarus by Hans Schönwetter, Glarus |
Generalprobe der Weggebliebenen mit den Weggegangenen, 2009 dimensions variable inkjet print on walls installation view Kunstmuseum Stuttgart, DE, 2009 |
Generalprobe der Weggebliebenen mit den Weggegangenen, 2009 dimensions variable inkjet print on walls installation view Kunstmuseum Stuttgart, DE, 2009 |
Generalprobe der Weggebliebenen mit den Weggegangenen, 2009 dimensions variable inkjet print on walls installation view Kunstmuseum Stuttgart, DE, 2009 |
Totalliquidation: 70% auf alle Treppen, 50% auf alle Glühbirnen, 30% auf alle Leitern, 40% auf alle Zimmerpflanzen, 2009 160 x 128cm C-print on Aluminium, framed |
Patt, 2009 diptych, Lambda print, framed 120 x 85cm Dieter Roth's object "Gartenzwerg" (Gartenzwerg in Schokolade/ chocolate garden gnome, 1972) at the Kunstmuseum Stuttgart- due to conservatorial provision- is not allowed to be moved nor be exposed to any other external man-induced events such as change of temperature or strong light. Otherwise it faces irrepealable decomposition. The work is manoeuvred into a curatorial impasse and hence not removable from it's momentanous position. Making a photography of "Gartenzwerg" in one take, theoretically would have required four flashes at full capacity. The museum at first insisted on three flashes, in the end agreed to five such. Under inspection of the responsible conservator in the end only four flashes could be made. |
site specific installation of "untitled", 2006 (left) and "run-away sculptor", 2007 (back) installation view Hauser & Wirth Collection, Henau, CH, 2009 |
"Sitespecific unspecificy", 2006 (left) and "Höllentor", 2008/09 (Gate to Hell) installation view Hauser & Wirth Collection, Henau, CH, 2009 |
untitled (view from the treshold/ anticipating Constructivism after 1945), 2009 poster (front and back side) collaboration with Georg Winter Kunstbunker, Nürnberg, DE, 2009 |
untitled (view from the treshold/ anticipating Constructivism after 1945), 2009 metall, wood, mixed media 520 x 480 x 290cm collaboration with Georg Winter Kunstbunker, Nürnberg, DE, 2009 |
Ganz naiver Konstellationismus, 2009 |
Ganz naiver Konstellationismus, 2009 (entirely naive constellationism) installation view Binz 39 foundation, Zurich |
Ganz naiver Konstellationismus, 2009 (entirely naive constellationism) installation view Binz 39 foundation, Zurich |
„model for a cryptical double-punctum“, 2008 Inkjet print on Wallpaper 660 x 300 cm „model for a cryptic double-point“ is an experimental set-up in which the viewer is offered the possibility to read out loud what he/she finds in the picture. Speak loudly and intelligibly to the picture, feel free to repeat as you wish. |
“Sediment”, 2008 C-Print on Aluminium, framed, Wood, Rags, 300 cm x 117 cm x 50 cm |
“Sediment”, 2008 (detail) The installed photographic work „sediment“ exemplarily describes the relation between gravity and picture hanging. A highly secured picture shows a frame in which the formerly hanging photographs wither and start decomposing. |
“Selfbanishment of human beings from the ravaged corner (without shoes)”, 2008 inkjetprint on wall 590 x 350 cm |
prime luci, 2008 18 x 24cm C-Print Aluminium, framed |
Antiteatro, 2008 30 x 43cm C-Print Aluminium, framed |
“Analogue monument”, 2008, Installation view Kunsthaus Baselland 16 mm Projection, Ilford promotional umbrella, Manfrotto-Tripods, halogen lights variabel dimensions |
“Runaway Sculptor”, 2007/ 2008, installation view Kunsthaus Baselland Inkjet print on Wallpaper, variable Dimensions The work “Runaway sculptor”shows a staged photography of a hypothetically aborted production process of the concrete sculpture untitled from 2006 |
"several suggestions on how to behave in front of a wall and one recommendation on how not to behave in front of a wall", 2008 Inkjet-print on wall, Lamda-print framed, 550 x 330 cm Following a report from a Londoner theosophical newspaper in the 20‘s, a myth arose that somewhere in the southwest corner of the Wavel castle in Krakow (domi cile of the former polish kings in Krakow) one of the seven „chakras“ would be hid den behind a wall. In Hinduism, the seven chakras are considered as places, respectively as the earth‘s adenoids, where a particularly spiritual energy unloads. Visitors of the chakra tour the castle‘s southwest corner at regular intervals. Some of them rub them selves to the wall in order to captivate the most energy from the hidden chakra. This led to the wear out of the wall as well as to its staining. The castle‘s director decided to prevent the wear out and the contact to the wall. Therefore he placed in front of it a pseudo-exhibition about the history of the caste‘s refurbishment. The five metallic displays and stone stands of the actual exhibition are installed 50 cm away from the wall. text E views |
detail |
"Genova-Boccadesse/ lunedì 12 Maggio 1975", 2008 inkjet print on wall text by Sabine Schaschl, director Kunsthaus Baselland |
Abstraktion und Blattmimese, 2007 video installation 6min30sec installation site specific in box |
Abstraktion und Blattmimese, 2007 installation site specific in box installation view Swiss Art Award 2008 |
untitled, 2008 |
untitled, 2008 (detail fr0m the Helmut Newton 1920- 2004 II Series) 16 C-prints on Aluminium various dimensions, framed |
untitled, 2008 (detail fr0m the Helmut Newton 1920- 2004 II Series) 16 C-prints on Aluminium various dimensions, framed |
untitled, 2008 (detail fr0m the Helmut Newton 1920- 2004 II Series) 16 C-prints on Aluminium various dimensions, framed |
"Helmut Newton 1920 – 2004", 2007 inkjet print on wood 400 x 300 30cm installation Swiss Art Awards 2007 |
"untitled", 2007 C-Print on aluminium, wood, lashing strap, metal 210 x 150 x 50cm |
"Internationales Seifenkistenrennen Leipzig, 2002", 2007 diverse materials 350 x 250 x 250cm installation view Kunsthaus Baselland "Failure", 2007 |
"Sprung in's Leere unter Begutachtung einer Expertenkommission, 2007 (leap into the void under inspection of a comission of experts )", 2006 inkjet print on wooden boards, wood, metal, concrete 420 x 210cm installation view Kunsthalle Basel Regionale 8, 2007 |
"Probleme der Kunst", 2006 lamda-orint, 21 x 30 cm |
"Sitespecific unspecificy", 2006 from the series "Good Forms on their last Summer Holiday" c-print 120 x 155cm |
"For the stranded", 2006 from the series "Insalata di Punctum / Das detaillierte Nichts (the detailed nothing)" Concrete, acrylic on jute, ironwood, brass 220 x 150 x 150cm |
untitled, 2006 from the series "Kleinere Unsicherheitsgesellschaften (smaller societies of insecurity)" concrete, metal hooks 120 x 40 x 30cm |
"Kollaps", 2006 from the series "Kleinere Unsicherheitsgesellschaften (smaller societies of insecurity)" video 6min28sec, loop |